With Blood on My Hands: Pusher II (2004)

Directed By: Nicolas Winding Refn

Screenplay By: Nicolas Winding Refn

Cinematography By: Morten Søborg

Starring: Mads Mikkelsen

Runtime: 100 minutes

See I told you Mads Mikkelsen was exceptional as Tonny. So exceptional in fact that they gave him his own movie. Of course I’m not going to complain any time Refn is/was allowed to make a movie, but Pusher II has a much calmer tone than any of Refn’s other films I’ve seen. It’s not a bad film by any stretch of the imagination, it’s actually still a great film, just not what I was expecting from Refn or from the sequel to what was an intensity juggernaut in Pusher I.

Another thing that through me was how much grittier Pusher I looks and feels than it’s sequel. Even though Pusher II is still handheld throughout it felt much cleaner than Pusher I. Maybe this is from Refn evolving as a filmmaker and nine years removed from the original he just wasn’t able to or interested in replicating that Pusher grit. The Pusher world is still grimy by itself but this does feel like a more produced version of the original and not fully it’s visual sibling.

However, Pusher II is still emotionally gripping and has a lot to say about the character Tonny and the world he comes from. And again Mads Mikkelsen is excellent as Tonny.

You should watch this movie.

God Bless America

Pusher (1996)

Directed By: Nicolas Winding Refn

Screenplay By: Jens Dahl & Nicolas Winding Refn

Cinematography By: Morten Søborg

Starring: Kim Bodnia & Mads Mikkelsen

Runtime: 110 minutes

Refn’s first feature film is no disappointment. This movie is intense, really really intense. You know shit has to go sour and then it does and boy is it rough. It’s like being in a nightmare you can’t wake up from.

Refn keeps amazing me. This isn’t like his later films, he’s clearly got more money to play with now but in Pusher he understands his limitations and uses them to his advantage. It’s an extremely impressive film. It also proves Refn has always been obsessed with the mob and mob mentality. And Refn’s mob isn’t Scorsese’s New York mafia, but low level grimy mobs, hidden mobs. The LA mob in Drive, The Bangkok mob in Only God Forgives, but it all started in Pusher with the grungy Copenhagen mob of Denmark.

Watch this movie cause it’s really fucking good. Also it’s cool to see a young Mads Mikkelsen who is exceptional as Tonny.

God Bless America